Book review: Gall, J. and Engel, G. (2006). Sayonara home run!: The art of the Japanese baseball card

Gall, J. and Engel, G. (2006). Sayonara home run!: The art of the Japanese baseball card. San Francisco: Chronicle Books.

This is at once a beautiful and disappointing book.

The design and layout are superb and do much to highlight its subject, a collection of early to mid-20th century Japanese baseball cards.   Given the quick methods of production and cheap materials used during this period, the cards don’t present well in large format.  Most have been photographed in sets and appear in these pages in groups of anywhere from 4 to 30.  There isn’t much to learn here by looking, apart from acquiring a sense of the visual language used in marketing Japanese popular culture. For a few minutes you can enjoy the sight of Asian men in various poses of playing baseball, outfitted in old-style uniforms labelled with familiar names such as the Giants and Braves, surrounded by exotic text, sometimes rendered in penciled lines and most often presented in garish color.

About midway through there is a wonderful two page spread of a pair of children’s school bags from the 1940s, together with a set of cards found within.  Where did they come from?  Who found them?  Where are they now?  We are left without a clue, and this points to a serious deficiency in this text.  While it contains short essays on Japanese card production that are informative and not to be found in most other sources on Japanese baseball, there is little else here that can’t be found in Wikipedia or other common sources.  In the Further Reading section, the authors recommend the books of Robert Whiting, as well as a couple of other regularly cited sources, but nothing anyone interested in Japanese baseball hasn’t seen elsewhere, nothing that suggests the authors went to any great effort in researching material for this book.  While the cards presented here appear to have come from the personal collections of the authors, you’ll discover this only by looking in the Credits section at the back of the book.  There is no discussion of how or when these cards came into their possession.  There are no interviews with Japanese card collectors, dealers, card manufacturers, no background on the companies that made cards or the people involved in their production, no pictures of cards in situ.   Sayonara Home Run! is, in fact, a photographic collection of cards with a bit of text for the reader who knows nothing about Japanese baseball.

As a visual record, this is a lovely collection. Unfortunately, binding is poor.  The cover quickly separated itself from the text block under normal reading conditions.

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